Showing posts with label recording. Show all posts
Showing posts with label recording. Show all posts

Tuesday, March 01, 2011

Ukulele




Some of the new tunes haven't been laying out on the dulcimer very well. This is actually been an ongoing issue since I started to play dulcimer. It's one of the reasons why there are so many covers on Moonshiner's Atlas for whatever reason it's been far easier to recreate or adapt, than it has been to create. I think this is why one song, called Weathervane has been in contention for this album since I first wrote it (which was like 2004): it's the first time that a lick on the instrument inspired lyrics (that's how I've written in the past). Anyway, although I've worked out dulcimer versions of all the tunes I'm kicking around, there are three that just don't sound right. Normally, that would just mean those songs weren't going on the record. But one of the tunes that's causing me a lot of consternation is a new one called Be Somebody (Do the work), It's what my old roommate used to call "the single" (my old roommate is also a songwriter and we used to throw a lot of ideas back and forth to each other). It's a euphemism, since realistically hoping for airplay has been a pipe dream since Clinton initiated the telecommunications act of 1997 (the so-called "information superhighway" that deregulated radio and allowed Clear Channel to buy them all). But it still means to us, that song that is gonna make you want to buy the album. On Moonshiner's it was folk songs and 52 Vincent, on Shady Grove it was Eleanor Rigby and (surprisingly) Birdwatching. A single doesn't necessarily mean the "best" song on the record, just the one that compels you to buy the record. If you think of albums as collections of songs that tell a story (and I do) the single is the sizzle to the steak.

I think that that song is Be Somebody, but it hasn't been working out as a dulcimer tune. So, as I've been talking with Folkcraft about one they're developing anyway, I figured maybe I'd try one out. I'll let you know how it goes.

Monday, February 28, 2011

Day Two.

Obviously I'm not keeping this diary as a day to day thing. In part because I'm not recording everyday. In fact I feel as though I'm still demoing...I am still demoing. It's just that the line between demo and recording is going to be ever blurring. Last time I ended up recording what I thought were demo's only to have the whole thing be done in Garageband (A recording program that comes with the Mac). To that end I bought a new Mac Mini specifically to have a dedicated computer for recording. Then my laptop bit the dust again, and it's become clear that as much as I would like to separate work and creative computers I can't do that yet. And anyway, what does that mean? Anyway, so that's been the plan, But I've been slow on getting a dedicated space together and the new computer has been a source of some consternation. The Zoom I used before and the new version of Garageband do not like to play well together, an issue that will have to be resolved before I can move forward full time, which is what I'm playing on doing come March 1st, which was yesterday...You following me?

Something that I've noticed is that the recording of this album and the writing have become inseparable. Used to be I'd write a bunch of songs on guitar, play 'em out some and then go add other instruments to it. Here I've been using the recording process on a couple of tunes, New Used Car, and Be Somebody. I spent way too much time working on the intro to Angry Anymore as I see it as the intro to the album. But it starts with this old scratchy recording, Just like Shady Grove did, just like the intro to Old Home Place on Moonshiner did (and how long did we spend on that?!?!). And just like those, I've always heard this tune coming out of an old machine, preferably from an Edison wax cylinder. The problem with this genius idea is that occasionally people will come up and tell me that they're something wrong with their CD, a woman in Florida even asked for her money back (WTF!) So now I'm actually torn between art and commerce. Maybe I should put a sticker on the front that says "the first 30 seconds of this CD is supposed to sound like shit."